Horse Paintings by Carrie L. Lewis

Studio news and painting demonstrations in oils and colored pencils from the Studio of Carrie L. Lewis, Horse Painter

Katie Part 3

Posted By Carrie L. Lewis on May 2, 2008

Okay.

I confess.

As neat as it was to draw on the canvas and have a likeness appear quickly, that method did not work for me. Or for Katie.

It has now been a couple of weeks since I last worked on Katie and the canvas (and that original portrait) did not survive very long. In fact, shortly after the last post regarding Katie, I painted over the entire canvas and put it up to dry, waiting for the next attempt.

The next attempt began today.

I brought the repainted canvas back to the studio, transferred the loose drawing I had made in the mean time to the canvas and outlined it with Burnt Umber M. Graham Oils. I did that this morning (between 6 and 6:30…it’s not easy learning to paint at that hour!), thinking that I would do more work this evening if time allowed.

But once the drawing was fixed in paint, I went ahead and roughed in a white area for the chest, then decided to paint the eyes, too. Just to give the painting some life.

Naturally, that led to blocking in some of the basic color in the head and around the eyes and by the time I put my brushes aside, I’d worked on the portrait for about 20 minutes and gotten this far.

Not too bad, considering the unorthodox (for me) painting hour!

Something I will be doing differently with this portrait is focusing on the subject, then the background. With Duncan, which was finished yesterday, I worked both subject and background at the same time and ended up losing some painting time because I couldn’t work on the subject due to wet background.

If I make a mistake and learn from it, that’s good.

If I make a mistake, then turn right around and do the same thing on the next painting, that’s bad!

I’m being good with this portrait. No telling how long that will last, though. I seem to learn better from experience than example!


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